Saturday, June 14, 2008

Beijing - Day Two - Forbidden City, Part Two

This posting recounts the latter part of my tour of the historic Forbidden City. The account of touring the half mile stretch of the City from the Gate of Heavenly Peace, the City's entrance, through the Gate of Supreme Harmony and into the center of the City is recounted in my previous posting, The Forbidden City, Part One. A brief review of details about the city follows and then the new information begins.

Note: I credit National Geographic Magazine's fabulous May 2008 Special Issue, "China: Inside the Dragon," and in particular its free poster map of the Forbidden City, for many of the specific details about the Forbidden City that will follow.

= = = =

The Forbidden City!

Built between 1406 and 1420, the Forbidden City was called so because it was the home of the emperor and therefore commoners were forbidden to enter it. For 500 years, China's rulers, 24 of them from two dynasties, the Ming and the Qing ("Ching"), lived and ruled from here. The buildings were red and had yellow tile roofs; the two colors of Chinese royalty. The roofs I saw were all red tile, so that practice has changed over time.

An online source I found states that in Chinese architecture, all royal structures consist of "three elements: 1. A platform, 2. Post-and beam timber frames, and 3. Non-loadbearing walls" and that "imperial building complexes include a front gate, four-sided enclosures or courtyards, and a series of halls in a linear formation running from the South to the North." (See http://www.travelblog.org/Asia/China/Beijing/blog-80674.html.)


Central Part of the Forbidden City


The city's center was reached by walking up a ramp and through the Gate of Supreme Harmony. 0582



Snow from the previous day was compacted over most of the walkways and flat surfaces in spite of the clear blue, sunny skies. It was still cold but was more tolerable than the day before and I was so covered with layers of warm clothing I was the shape of the Pillsbury Dough Boy, but I was warm!

I stood on the ramp leading down from the Gate of Supreme Harmony and took pictures on the four sides of the court.

This building was to the right. 0588.


The Hall of Central Harmony was ahead. 0585

On the left was this scene. 0586

Close-up of the lovely building on the left. 0583

Framed view from under the portico. 0589

First view of the roof guardians, replica animals representing various elements of Chinese mythology. A building's rank is shown by the number of guardians on each eave, ten denoting the highest rank and reserved only for the Hall of Supreme Harmony, where the emperor's throne sat.

Here, the guardians appear in silhouette. 0590


Close-up of the protective guardian animals on the curved eaves of the roof.
0612

A large caludron, one of several placed at intervals about the courtyard. 0591

View of cauldron in it's snow-covered setting, with a modern construction barrier separating it from the white carved stone terraces.. 0592


A nearby sign. 0601

View looking back the way we had come in, through the Gate of Supreme Harmony. 0602


The Hall of Supreme Harmony

This building housed the emperor's throne and where he performed many official governing acts.

Close view of the balustrades on the four terraces surrounding the Hall of Central Harmony. 0604

View of corners and angles formed by the architecture of the various buildings. 0605

View of the terrace balustrades, looking up. 0607

A downward view. From any angle, the stonework and symmetry is stunning. 0609


View across the topmost terrace to the building on the right. 0610
Scaffolding encased one side of the Hall, which was being refurbished in preparation for the hordes of 2008 Summer Olympics visitors expected to tour the site during the sports events. 0615

Close-up of the latticework doors on the Hall of Central Harmony. 0611

The Hall of Supreme Harmony has ten roof guardians, replica animals on the eaves of the building. This marks the hall as being of highest possible rank. According to the National Geographic map, the first and last guardians are figures of a dragon and "an immortal riding a hen." 0614

View of the double eaves and the elaborate carving on the peak of the building. 0616

Closeup of the carving. It's a dragon! 0617

Detail of the carvings on the column capitals. 0618

Symmetrical view along the portico of the Hall. 0619

Our guide pointing out our location on a map of the Forbidden City. I asked if I could get a copy of the map and he said yes but it didn't happen. The one from National Geographic is more detailed, however, so I can't complain. 0622

Interesting view through an opening to a building beyond. Notice the large cauldron on the left. 0623

Sign explaining in English about the Hall of Central Harmony. 0625



The sign reads,

"ZHONG HE DIAN
(Hall of Central Harmony)


First constructed in 1420 during the Ming Dynasty, Zhong He Dian was destroyed and reconstructed several times over the centuries. The existing hall was constructed in 1627 during The Ming Dynasty. In the early Ming dynasty, this hall was called Hua Gai Dian (Hall of Overwhelming Glory) but was renamed Zhong Ji Dian (Hall of Central Extremity) in 1562 and Zhong He Dian in 1645 during the Qing Dynasty. This square building has a single pyramid-shaped roof, with a gold plated bronze covering. The floor is paved with high-quality square clay bricks, commonly known as "golden bricks." A throne is placed in the center of the hall and a board hangs above the throne with an inscription written by Emperor Qianlong. The inscription reads: "Yun Jue Zhong," meaning "The Way of Heaven is profound and mysterious and the way of mankind is difficult. Only if we make a precise and unified plan and follow the doctrine of the mean, can we rule the country well."

This hall served as a resting place for the emperor on his way to attend an important ceremony or hold court. Officials kowtowed to the emperor here. The day before the emperor held a sacrificial ceremony he would read the prayer tablet aloud in this hall. Before offering sacrifices at the Altar of the God of Agriculture, the emperor examined ceremonial farm tools here. After the revision of the imperial pedigree, which was revised once every ten years, the emperor read the pedigree out loud and held a grand ceremony at the hall. The words "Zhong He" come from the Book of Rites, meaning "When we handle matters properly and harmoniously without leaning to either side, all things on earth will flourish.

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Detail of the lattice work on the upper portion of the doors to the Hall. 0626

Detail of the lower portion of the doors. 0627




Detail of door trim. 0631


Close-up of sign above the throne. It reads "Yun Jue Zhong," and is a quotation by Emperor Qianlong. The translation is, "The Way of Heaven is profound and mysterious and the way of mankind is difficult. Only if we make a precise and unified plan and follow the doctrine of the mean, can we rule the country well." 0636

The Throne! Notice the offering urns on lovely stands at the base of the stairs. 0629



The throne seen from one side, with good views of the two signs. 0632

View of a set of closed doors and surrounding beautiful decorations. 0633



Close-up of doors, showing more detail of the decodrations. 0634


Sign explaining the Hall of Preserved Harmony, which is the second hall directly behind the Hall of Supreme Harmony. 0640




The sign reads,

"BAO HE DIAN
(Hall of Preserved Harmony)

First constructed in 1420 during the Ming dynasty, this hall was destroyed by fire and reconstructed several times. It still retains its original beams and columns. In the early Ming Dynasty it was named Jim Sheng Dian (Hall of Scrupulous Behavior). During the Qing Dynasty, in 1562 it was renamed Jian Ji Dian (Hall of the People's Sovereign) and then Bao He Dian in 1645. The hall is nine bays wide, and four bays deep, with a gable roof and carved overhanging eaves. It has an area of 1,240 square meters. The construction of the hall adopted a special "pillar-reduction" method. By omitting six pillars from under the front eaves, the hall is given a spacious feelings. Above the throne, at the center of the hall, hangs a board with an inscription written by Emperor Qianlong. The inscription reads "Huang Jian You Ji' (the Hightest [sic.]Norms for the Emperor to Found a Regime)

During the Ming Dynasty, the emperor changed clothes in this hall before an important ceremony. In the Qing Dynasty, the emperor held banquets here for his princes, dukes and ministers of ethnic minorities on the lunar New Year's Eve and the Lantern Festival. In the early Qing Dynasty, before the renovation of the three rear halls was completed, Emperor Shunzhi and Emperor Kangxi lived here and it was named Wei Yu Gong (Palace of Proper Places and Cultivation of things) and Qing Ning Gong (Palace of Peace and Tranquility), respectively, during their reigns. The wedding ceremony of emperor Shunzhi was held here. In 1789, the emperor supervised the final stage of examinations to select officials from among scholars from all over the country. The words "Bao He" are from the Book of Changes, and mean "maintaining harmony between all things on earth to have a long period of peace and stability."

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Close-up of the throne. Note its royal yellow color and ornately carved wood surrounds. 0637



Close-up of a metal cauldron standing on the terrace of the Hall of Supreme Harmony. It is protected from visitors by a metal railing. 0642


Long view, showing the cauldron in it's wider setting, with tops of nearby buildings that stand on the ground while the cauldron is sitting on the fourth terrace of the Hall. 0643


A second view through the opening in the wall extending out to the side of the Hall, showing a view of buildings behind and to the side of the Hall. 0644


Buveh on the fourth terrace of the Hall of Supreme Harmony. 0645

Gate and Palace of Heavenly Purity


Gate of Heavenly Purity, three buildings beyond the Hall Of CentralHarmony. 0647

The central portion of the Gate of Heavenly Purity. Note metal cauldron on the right. 0649



Another view, showing more of the pink deorated walls on each side. 0650

Close-up of the pink and print detail. 0652

View of the same, but at an angle, showing the symmetry and elegance of the architecture and decoration. 0653

Female tourists going up a ramp and through an elegantly decorated opening in the wall, to make a "side trip" to the toilets. Note sign on the left saying "Mind Your Step." 0655

Detail of painted decodrations on the underside of the next building's eaves. 0656


Roof guardians on next building. 0659

Best shot of roof guardians. 0658

The Palace of Heavenly Purity, just beyond the Gate of the same name. Note the brass cauldron in the foreground and the beautiful white stone balustrades. Just visible at the right corner of the building is a small, building-shaped something. 0660

Close-up of building-shaped something. I don't know what it is or its purpose. Possibly a lantern. There is one at each corner of the Palace. 0662

Detail of the carved stonework beneath the item pictured above. 0663
Close-up of the carving on the eave peak.. 0665

View back to the Gate. 0666


View of the corner angles of the Palace. 0668

Sign about the Palace of Heavenly Purity. 0670
The sign reads,

"QIAN QING GONG
(Palace of Heavenly Purity)
This palace was constructed in 1420 during the Ming Dynasty and was rebuilt in 1798 during the Qing Dynasty. During the Ming and Qing dynasties, the emperor lived and handled political affairs in this palace. After Emperor Yongzheng ascended the throne, he lived in Yang Xing Dian (Hall of Moral Cultivation) and held ceremonies and met officials and foreign envoys in this palace. In the Qing Dynasty, after an emperor passed away, his coffin was kept in this hall, to prove that he had died peacefully. After the memorial ceremony, the coffin was moved to Guan De Dian (Hall for Observing Military Virtue) in Jingshan (Prospect Hill) Park. Finally, the funeral ceremony was held and the deceased emperor was buried in the imperial mausoleum.

The "Heir apparent box", a system secretly set up by emperor Yongzheng, was placed behind the board inscribed with the words "Zheng Da Guang Ming" (Open and Aboveboard). The name of the emperoor's successor, written by the emperor himself, was kept in this box. After the emperor passed away, the secretly appointed crown prince would ascend the throne.

Qian Qing Gong and Kun Ning Gong (Hall of Earthly Tranquility) were where the emperors and empresses lived. According to The Book of Changes, "'Qian" refers to Heaven, and "Kun," to earth. Flanking the palaces are named Ri Jing Men (Gate of Sun Excellence) and Yue Hua Men (Gate of Lunar glory), implying "Heaven and earth are bright under the sun and moon, and the whole world is open and peaceful.

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Item within the Palace of Heavenly Purity, photographed from outside. 0671

View of the lovely mirror on the left, reflecting the item above. 0672


Throne with steps leading up to it. Later emperors held audiences here. 0673


Detail of lovely carved wood pillar capital. 0675

View along the portico toward the building 0677

Fantastic decorations, circular beams and other elements of the eave ends. 0678

Nice view of the roof guardians and other eave point decodrations. 0680


Hall of Union and Peace


Great view of the architectural and decorative features of the terrace to the Hall. 0681

Full view, showing buildings above the area in the previous photo. 0682

View across a snow-covered court to the building at the side. 0683

This is a square building rather than the more common rectangular ones found in the City. 0684

Close-up of the carved and painted wooden door.0685

Detail of the above. 0687

I took this photo to record the beautiful colors and elements of the decorations. 0688

View emphasizing the architectural details of the double eaved building. 0689




I turned from the Hall to photograph nearby buildings. 0690

Sign for the Hall of Union and Peace. 0691


The sign reads,


"JIAO TAI DIAN
(Hall of Union and Peace)

This hall was constructed from 1522 to 1566 during the Ming Dynasty and was rebuilt in the Qing Dynasty. This square hall is three bays wide and three bays deep with single eaves and pyramid-shaped roofs on the four corners. Each roof has a gold-plated top similar to but smaller than that of Zhong He Dian (Hall of Supreme Harmony).; In the center of the hall there is a throne, behind which hangs a board inscribed with words written by Emperor Kangxi, meaning “doing nothing.” Below the board, there is a screen with an inscription by Emperor Qianlong, on the left side is a copper clepsydra (a kind of ancient Chinese water clock), and on the right side is a bell. In the Qing Dynasty a yearly grand ceremony was held here on the empress’ birthday, the lunar New Year and the winter solstice. In 1748, Emperor Qianlong placed 25 jade seals, symbolizing imperial power, in this hall. On the “Day of Opening Up Treasures” in the first lunar month, the emperor held a grand ceremony.

The words “Jiao Tai” come from The Book of Changes and mean the union of heaven and earth. Hence, Jiao Tai Hall is situated between Qlan Qing Gong (Palace of Heavenly Purity) and Kun Ning Gong (Hall of Earthly Tranquility).

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Detail of carved stele featuring dragons and birds. 0693



View of the throne area. The two-symbol sign above the writing behind the throne was written by one of the emperors and means, "doing nothing." I guess that's what emperors - or at least that emperor - did. 0694



Details on carved wooden door. 0695

View across snow-covered plaza to building on far side. 0696




Hall of Earthly Tranquility


View across the terrace of the Hall. 0697


Sign for the Hall of Earthly Tranquility. 0699


The sign reads,


"KUN NING GONG
(Hall of Earthly Tranquility)

This hall was first constructed in 1420 during the Ming Dynasty and was later rebuilt in 1655 during the Qing Dynasty as a copy of Qing Ning Gong (Palace of Peace and Tranquility) in Shenyang (Liaoning Province). The hall symbolizes Manchu architectural style with its gate on the eastern side rather than in the middle. It was renovated in 1798. It is nine bays wide and three bays deep. This hall has double eaves and a wudian (thatched hall) style roof covered with yellow glazed tiles.

During the Ming dynasty, this hall was the residence of the empresses. After the rebel pheasant armyy, led by Il Zicheng, captured Beijing in 1644, Emperor Chong Zhen’s empress hung herself in this hall. The two rooms on the eastern side were the imperial bridal suites. Emperor Kangxi, Emperor Tongzhi, Emperor Guangxu and the last emperor, Pu Yi lived in this hall after they married, before moving to other halls. The four rooms on the western side are the sacrificial shrines where there are ring-shaped pits for holding statues of gods and cauldrons for cooking sacrificial meat. The rooms enshrine statues of sakyamuni, the goddess of mercy, Lord Guan and other Mongolian gods.

Traditionally, Qian Qing Gong (Palace of Heavenly Purity) AND Kun Ning Gon were where the emperor and empress slept. "Qian Qing" AND "Kun Ning" mean that the "sky is clear, and the earth is peaceful", implying that the emperor would rule the country forever.

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Interior of the Hall, photographed through protective glass windows. This was the living quarters of the emperor and empress, so all the rooms are lavishly furnished. 0700

Note the carpeting as well as and the lantern and other things hanging from the ceiling. 0704

Detail of the embroidered bedspread on the huge master bed. The central figure seems to be a rooster. 0706

The next portion of the bedspread on the huge bed. 0708

Note the bedroon furnishings, the wall decorations directly ahead, the elaborately carved wood frame around and above the back portion of the room and the carved door frame on right. Everything is in imperial red with touches of imperial yellow. I wonder if so much red got to the imperial couple. It doesn't seem very restful to me. 0709

Pushy People

It was while enjoying the sight of the interior furnishings and taking photos of them that someone began poking me from behind, as if signaling me to move aside. It was in such contrast to the polite behavior on the part of the numerous Chinese tourists near me that I thought, "How rude!" When it continued, I said, at least twice and rather sharply, "Don't push me!" (Very American of me, I know, but I am an American!) It didn't stop and although I didn't turn around to see who was doing it, I finished taking the photos I wanted and moved on.

We then took the exit through wall on the side into the next portion of the grounds. 0711


With a quick look back, I took a photo of the rear of the Palace. 0712



Adventures in the Imperial Garden!


We found ourselves in the Imperial Garden, which was impressive in spite of winter-barren trees, snow and the cold. Our guide was telling us about the two amazing intertwined ancient cypress trees in the center of the garden that represented the emperor and empress.


Body Guards!

Our guide wanted to take pictures of each of us (singles, couples, or families) in front of the tree. A few of our group had had their photos taken when suddenly we were swooped down upon by a phalanx of body guards shielding an aristocratic couple up to the tree. We were shouldered aside and our guide urgently told us to move out of the way, which we did. Nikki and I moved to the railing along the walkway leading to the tree.

The body guards formed a human perimeter around the Important Couple, facing outward at us lowly onlookers, while the couple posed in front of the tree and an official photographer took their picture. I didn't have a clear sight line to the couple and the body guards were constantly on the lookout for malefactors, so I didn't even try to get close enough to see who the distinguished guests were or take their photo.

Our tour guide spoke to one of the body guards and then told us that the couple were official visitors from (tuh duh!) Korea! Suddenly the Korean flags outside the City entrance, the China national flags flying everywhere on govenrment buildings and around Tienamen Square made sense! I also realized that it had been these body guards who had poked me to get out of the way at the Palace, undoubtedly so the Guests could have an unobstructed view of the interior.

My Revenge

I decided to take my revenge subtly. I calmly faced the body guards nearest me, held my camera at waist level and unobtrusively took several photos of them. I also turned this way and that, taking ovbious photos of various elements of the garden from where I stood. Nancy took the opportunity to escape into a nearby building that was a souvenier shop, where she bought a wonderful coffee table-type book about the Forbidden City.

Here are the photos I took of the body guards.

Body guards 1. 0713


Body guards 2. 0714

Body guards 3. 0715

Nancy heading to the souvenier shop; other shops in the same row. 4. 0716

Body guards 4. 0717

Body guards 5. Starting to move! 0718
Finally the entourage moved on and we returned to our place in line to be photographed at the Tree. Our tour guide took my camera and snapped me in front of the Tree.

Buveh and the Imperial Intertwined Tree in the Imperial Garden of the Forbidden City! 0719


Pictures of beautiful features of the Imperial Garden:


Carved stone lantern or incense burner. 0721

Interesting and beautiful rock taken from a mountain elsewhere in China to grace the Imperial Garden. 0722

Ornately carved white stone enclosure. I can't remember what was inside it and didn't take a photo of whatever it was. 0723

Another mountain stone, placed in a setting of evergreen bushes. 0724

Buveh at the railing where she stood while the Special Guests were surrounded by body guards and she had to wait for her turn to be photographed at the intertwined trees. Note the mountain stone on a stone platform on the right. 0725

Sign explaining the use of cypress trees in the Imperial Garden. 0727


The sign reads,


"Platycladus orientalis (L) Franco.

The imposing cypress with old and hardy branches is often planted in classical garden, courtyard and temple. With long life and beautiful shape, it not only complements imperial architecture but also forms a unique scene itself."


The Hill of Accumulated Elegance

At the back of the garden was an incredible sight. It was an artificial hill made entirely of many of the same type of mountain stones that had appeared individually in other parts of the garden. At the top was a building called the Pavillion of Imperial Scenery.

The hill with a pavilion at its top. 0729



Close-up of the pavilion. 0731


A explanatory sign posted near the hill reads,


"Dui Xiu Shan
(Hill of Accumulated Elegance)


This artificial hill was made of rocks piled on the original site of Guan Hua Dian (Hall of Appreciating Flowers), against the northern palace wall. Originally, it was named Dui Xiu Shan (Hill of Accumulated Embroidery), and in the Qianlong reign period, it was given its present name.
The hill is about 10 meters high. On the top stands Yu Jing Ting (Pavillion of Imperial Scenery), which is reached by a path. At the Double Ninth Festival every year, the emperors, empresses and imperial concubines climbed the hill along the path. Halfway up the hill, there is a brick cave running from east to west. A cave at the foot of the hill has an arched roof, with a stone caisson carved in the shape of a dragon. Over the entrance hangs a horizontal board inscribed with the two words “Dui Xiu” (Accumulated Elegance). Halfway up the hill there are bronze jars to store water. When water runs from the hill, it spurts out of the dragonheads on the backs of lions on the left and right sides of the hill."

Close-up of some of the rocks in the hill. These rocks were brought from the mountains. 0732



Close-up of the ornament and carved wood decoration at the top of the pavilion. 0734

View of top half of the hill. 0737

Entrance to the hill's cave, at the foot of the hill. Only the empress, imperial children and other personages of high standing were allowed to enter there. 0742

The sign in front of the entrance reads, "A single act of carelessness leads to the eternal loss of beauty." That is a much nicer, and more poetic, way to say, "Keep off the hill!" Or "Violators will be prosecuted." Or whatever else our direct, Western way of saying it would be.


Our tour guide told us that an emperor's successor would not necessarily be his first born son. All the emperor's sons had to prove themselves. The one who was bravest, most accomplished, etc., would be designated as the next emperor. One challenge given to the sons as young boys was to climb the hill faster than the other boys.


A view of the garden from my vantage point near the base of the hill. It is a lovely place. 0736


From the garden, we went around and behind its northern wall and found ourselves in a walkway maze that lead past other buildings to the northern gate, which is an exit from the Forbidden City.


This elephant statue was one sight we saw on our way out. 0743

The sign at the northern gate. 0744
The sign reads,


"Shen Wu Men
(Gate of divine Prowess)

This is the northern gate of the forbidden city. First constructed in 1420 (the 19th year of the Yongle reign period of the Ming Dynasty). It was originally named Xuan Wu Men (Gate of the God of Water) after Xuanwu, one of the four ancient gods, and a symbol of the north. As Emperor Kangxi’s name was Xuanye, the character “xuan” was taboo during his lifetime, and so it was renamed Shen wu Men. On the terrace stands a gate-tower with double eaves and a roof in wudian (thatched hall) style. The tower houses drums and bells, which were sounded at regular intervals to give the correct time, except when the emperor slept in the palace. There are three gateways. The middle gateway was only for the emperor, and the gateways on both sides for Imperial conclubines, officials, guards, enunuch and artisans. In the Qing Dynasty, when the empress offered sacrifices to the goddess of Silkworms, palace maidens were selected in the Qing Dynasty and Imperial concubines were welcomed to the palace, they would use Shen Wu Men. In 1924, when Pu Yi, the last emperor, was driven out of the palace, he left through Shen Wu Men. Above the gate hangs a horizontal board reading, “Palace Museum,” which was written by Guo Moruo, a leading historian, in 1971."


Our tour group troops through the tunnel that is the northern gate of the Forbidden City. 0745



A quick look back at the Northern Gate from the outside. I took the photo so I would know what it looked like from that side. 0746




A farewell glance at the Forbidden City, looking back at the northern gate, through which we had just exited. 0747


Our tour guide led us at a rapid pace away from the perimeter of the Forbidden City to where our bus and driver were awaiting us to take us to our next stop, the Temple of Heaven, which will be the subject of my next blog posting.